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• All users must complete and sign a current , which includes having read and agreed to the safety, cleaning, and reservation guidelines.
• Walk-ins are acceptable subject to host availability but reservations always take priority.
• It is strongly recommended that reservations are submitted at least 24 - 48 hours in advance.
• Available resources are outlined in the Facilities / Resources section below.
• While a specific OS platform may be requested, availability during requested reservation time may not be available.
• Specific lab hosts cannot be reserved.
• Post Lab hours may change and access to lab hosts may be cancelled or modified at any time.

To make a reservation request, you must have completed and signed CINE Student Computer Use Agreement Form as detailed above.

You may make your reservation request using the following form:

Please be certain to complete all questions and fields as they are all required.

Also, you MUST specify your preferred reservation date / time and ONE ALTERNATE.

You will be notified of your reservation status via email.

NOTE: For sound suites (mixing and foley), reservations require instructor approval.  We will contact your instructor via email once we receive your reservation request.  If approved, we will dispatch a confirmation.

Upon arrival to the CINE-210 Post Open Lab, please check in at the service desk.

For sound suite appointments (mixing and foley), please check in at the CINE-210 Post Open Lab service desk as well.

You will be required to present your student ID to confirm your reservation.

Please note:

• You must provide your own data storage (hard disk drive).
• You must provide and use headphones if your coursework includes sound.

Post Production Open Computer Lab (CINE-210)

• eight iMac Pro, equivalent to SSC-060 hosts
• seven HP Z4 Windows 10, equivalent to SSC-050 hosts
• one HP Z4 Windows 10 with full Blackmagic Design Studio
• one iMac Pro with full Blackmagic Design Studio
• two iMac Pros, includes iZotope RX noise reduction suite
• one iMac Pro, includes Pluraleyes 4 audio / video sync software
• four Dell AIO 7770 Windows 10, same software load as SSC-050
• one HP Z4 DCP authoring host (please contact Robert)

Our newly-renovated sound suites are now available, albeit in a limited, temporary setup:

Post Production Mixing / VO Suite (CINE-217/219)

• one iMac Pro, includes Pro Tools HD, all Avid plug-ins, Izotope RX and Waves Gold
• Avid HD Omni I/O
• Avid S3 controller
• Avid Dock controller
• 5.1 surround monitoring

Post Production Foley Stage (CINE-222/222A/222B)

• one iMac Pro, includes Pro Tools Studio
• Tascam US-1608 I/O
• two channel monitoring

Apart from operating systems, software is identical on CINE Post Labs hosts:

• Operating System
  • macOS 12.6.2
  • Windows 10
• Picture Editing
  • Avid Media Composer
  • Blackmagic Davinci Resolve
  • Adobe Premiere Pro
• Sound Editing
  • Avid Pro Tools
• Color
  • Blackmagic Davinci Resolve
  • Blackmagic Davinci Resolve Studio (on selected hosts listed above)
• Animation
  • Autodesk Maya 2024
• Production Management
  • Entertainment Partners Movie Magic Scheduling
• Miscellaneous
  • Maxon / Red Giant Pluraleyes (single host)
  • iZotope RX noise reduction (selected hosts listed above)